I have two Virginia Woolf found poems in the latest issue of Passages North, which was published earlier this month! "Presence" and "Born Falling" were both surprisingly easy to write. I remember sitting down with the paragraphs and "finding" the poems really quickly. Sometimes it's a very slow process to get a found poem written, but for whatever reason these two emerged very easily.
Here is the paragraph from The Waves I used for "Presence" with the words I selected in red:
"How strange to feel the line that is spun from us lengthening its fine filament across the misty spaces of the intervening world. He is gone; I stand here, holding his poem. Between us is this line. But now, how comfortable, how reassuring to feel that alien presence removed, that scrutiny darkened and hooded over! How grateful to draw the blinds, and admit no other presence; to feel returning from the dark corners in which they took refuge, those shabby inmates, those familiars, whom, with his superior force, he drove into hiding. The mocking, the observant spirits who, even in the crisis and stab of the moment, watched on my behalf now come flocking home again. With their addition, I am Bernard; I am Byron; I am this, that and the other. They darken the air and enrich me, as of old, with their antics, their comments, and cloud the fine simplicity of my moment of emotion. For I am more selves than Neville thinks. We are not simple as our friends would have us to meet their needs. Yet love is simple."
And here is the paragraph from The Waves I used for "Born Falling" with the words I selected in red:
"'Had I been born,' said Bernard, 'not knowing that one word follows another I might have been, who knows, perhaps anything. As it is, finding sequences everywhere, I cannot bear the pressure of solitude. When I cannot see words curling like rings of smoke round me I am in darkness—I am nothing. When I am alone I fall into lethargy, and say to myself dismally as I poke the cinders through the bars of the grate, Mrs Moffat will come. She will come and sweep it all up. When Louis is alone he sees with astonishing intensity, and will write some words that may outlast us all. Rhoda loves to be alone. She fears us because we shatter the sense of being which is so extreme in solitude—see how she grasps her fork—her weapon against us. But I only come into existence when the plumber, or the horse-dealer, or whoever it may be, says something which sets me alight. Then how lovely the smoke of my phrase is, rising and falling, flaunting and falling, upon red lobsters and yellow fruit, wreathing them into one beauty. But observe how meretricious the phrase is—made up of what evasions and old lies. Thus my character is in part made of the stimulus which other people provide, and is not mine, as yours are. There is some fatal streak, some wandering and irregular vein of silver, weakening it. Hence the fact that used to enrage Neville at school, that I left him. I went with the boasting boys with little caps and badges, driving off in big brakes—there are some here tonight, dining together, correctly dressed, before they go off in perfect concord to the music hall; I loved them. For they bring me into existence as certainly as you do. Hence, too, when I am leaving you and the train is going, you feel that it is not the train that is going, but I, Bernard, who does not care, who does not feel, who has no ticket, and has lost perhaps his purse. Susan, staring at the string that slips in and out among the leaves of the beech trees, cries: "He is gone! He has escaped me!" For there is nothing to lay hold of. I am made and remade continually. Different people draw different words from me."